Quincy’s King Kade returns to the Graduation Music site today alongside Yelohill and Hit-Town with a highly-energetic track titled “Hot Topic”.
While the majority of his discography may be rooted in exceptional vocal work, King Kade utilizes “Hot Topic” to showcase his ability to rap. He’s proven to be one of the more versatile artists to hail from Massachusetts, and tends to bless his listeners with a little something new on each release. Both Yelohill and Hit-Town compliment Kade seamlessly here, as the group glides effortlessly over some well-structured production at the hands of Mike Hector. Show King Kade some love as he’s showing no signs of slowing pace anytime soon.
Roxbury rapper PLAD Fine$$e teams up with Mike Hector to produce his latest track, “Pac-Man”. After an almost year-long hiatus, the rapper has been on a roll, with this release and his single “Pressure”, which released not even a month earlier, the rapper is quite literally applying pressure.
For those that are familiar with Fine$$e from his earlier work, “Pac-Man” shows consistency and excitement. The track is only two minutes and five seconds, but it packs a tremendous punch. His inherent confidence shines through with his melodic style and effortless flow, making this track an instant hit. While I was left wishing for a little more from the track, it’s fair to say that the rising talent is working and we’ll be satisfied soon.
From Roxbury to the world, Fine$$e is on the rise and we look forward to seeing what else he has in store.
King Kade was first introduced to Graduation Music readers a few weeks back with the release of his Mike Hector-produced song, “ASAP”. He returns today with Grow Up, Go Love Something, a beautifully-orchestrated EP that helps bring the best out of some of Massachusetts’ most notable talents.
Listening through this project is reminiscent of reading a good book — elements of each individual chapter stand-out on their own whilst maintaining a seamless flow throughout. Mike Hector, Pettros, and Halfway were in charge of production on Grow Up, Go Love Something, and each put their best foot forward to achieve a formidable sonic foundation for the entirety of the EP.
Revolving around the various stages of falling in-and-out of love, King Kade takes a pop-infused route towards getting his feelings off of his chest. Featured on Grow Up, Go Love Something are Pettros, FAbzabove, and Patrick Michel, who align with King Kade’s sound in an extremely harmonious fashion. Anyone who’s been reading Graduation Music will recognize FAbzabove and Patrick Michel by name, with their features on this project being some of their most-prominent pieces of work yet.
Grow Up, Go Love Something puts King Kade’s musical capabilities and relentless work ethic on full display. Show the Quincy-native some love as he’s set to have a promising 2019.
Quincy-native, King Kade, makes his debut on the Graduation Music site today with a Mike Hector-produced track titled “ASAP”.
Following a recent move to LA, King Kade has been devoted towards maintaining a successful career in music. “ASAP” serves as evidence that he’s been on the right track, with this release being one of his most solid to-date. The combination of King Kade’s melodic presence and the vibrant production make for an extremely well-rounded release.
Pistola and Mike Hector just dropped “Gang Shit”, and subsequently the duo have already set the bar high for Massachusetts artists in 2019. The last time they linked up the pair blessed listeners with “Fiji”, one of the best tracks to come out of Boston in 2018, and it’s safe to say that they’re 2 for 2 after listening to their latest release.
Both Pistola and Mike Hector haven’t wasted a moment with regard to building up their resumes over the course of these last few years, with each doing a tremendous job at shining a light onto the levels of talent that are coming out of the Bay State at the moment. Hector cooks up a flawless beat on “Gang Shit”, and is quickly followed-up with some addictive Pistola flows. Anyone that’s listened to the Dorchester-native’s music will find themselves playing this track over-and-over again. We can only be hopeful that Mike Hector and Pistola will continue to work together in the future, as it’s become overwhelmingly apparent that these two have a unique chemistry between each other.
From “Guitar Grunge” back in July to “Snake In My Boot” last month and most recently, “Henny Sippa“, 2018 has been a monumental year for Donald Grunge. One release after another, he’s been honing in on his craft, and as a result, we’ve seen some of his most creatively ambitious releases to date in recent months. Needless to say, Grunge is on a win streak right now, and today, he takes all of this energy and puts it toward the release of his long-awaited, highly-anticipated new project, CowboyTalk.
Taking on a Western theme, this tape is eccentric from the cover art all the way to the final seconds of its last song. Grunge pours his heart out into 7 highly-passionate, energetic cuts, leaving it all on the court as he puts forth a noticeably refined version of the “on my own terms” artistry that we’ve grown to love over the years. With production at the hands of local talents including Mike Hector, David Walker, JORD4NEVERDIED, Chris Tophr, Jonny Doobs, Maka, and Humbeats, CowboyTalk picked on a dream team of names to make up its roster, and without a doubt, it paid off. Donald Grunge is here, and he’s here to stay.
Looking back at some of the Massachusetts artists who really proved their worth in 2018, Donald Grunge needs to be at the top of the list. The eclectic, hyper-creative rising talent never fails to trust his ear for making great music, and consequently, this characteristic has led to some truly impressive additions to Grunge’s catalog in recent months. Today, en route to the 11/30 release of his new project, Donald Grunge is making sure that fans control their anticipation, using an appetizer of a single entitled “Snake In My Boot” to do the trick as we count down the days until the full course.
Produced by none other than Mike Hector, this track uses a simplistic melody and bass-heavy, hard-nosed drum patterns to lay the ground for Grunge’s ranging set of cadences. As always, this choice of production brings out the best in Grunge, as he rides the instrumental with a wide variety of tones and flows to match such compelling lyricism. “Snake In My Boot” proves that we’re about to receive Grunge’s finest work to date, and personally, I can’t wait.