Brockton, Massachusetts has played a sort of mitochondrial role within the Bay State’s music scene over the last year or two, with notable acts such as DTheFlyest and Van Buren Records spreading the City of Champions’ influence far beyond its borders. Attached with this surge in music coming out of the Brockton area has been an influx of truly profound artists that — together — have assisted in shining a light on the diverse landscape of music that exists within Massachusetts. Helping to validate this statement is Premo.Dee, who recently gifted his listeners with his first project — Satellite.Blvd.
Since releasing his first song more than two years ago, Premo.Dee has been making strides with respect to developing his sound. His recent string of releases prior to Satellite.Blvd were extremely promising, as each showcased a different side of Premo’s artistic capabiities. Satellite.Blvd is where he really ties everything together, with each of the EP’s five tracks being a fitting addition to his discography.
Featuring Van Buren’s Saint Lyor, Lord Felix, and Jiles, in addition to James Boy — Premo.Dee included the perfect cast of individuals to bring this body of work to fruition. Some notable standouts on this release are “Watch It” and “How We Get Here” as both of these songs do a superb job at detailing why Premo.Dee is as promising as an artist as he is. If you’re a fan of Satellite.Blvd, be sure to listen to Premo’s verse on Briefcvse’s new album as well.
Van Buren Records continues to amaze the masses, as the collective of Brockton artists elevates with each and every new release. Today, Jiles makes his way onto the Graduation Music site with a two-for-one special that includes the official music video for both “Freestyle 001” and “Big Homie”.
What impresses me the most about Jiles’ discography is how he manages to exemplify realism. Rather than shying away from his life experiences and rapping about the many superficial topics that plague modern music, Jiles takes pride in what he’s endured — whether positive or negative. Daymian Mejia does a phenomenal job at incorporating these sentiments into this visual.
“Freestyle 001” takes on a gritty approach, as Jiles takes some time to remind his listeners of the struggles that he’s faced throughout his life. He’s been molded to be an extremely formidable individual no matter what life throws his way, and it’s this attitude that will continue to steer the Brockton native towards a successful future. “Big Homie” takes on a bit more of braggadocios approach than “Freestyle 001”, allowing for Jiles to talk his shit. Equipped with scenes full of his Brockton counterparts, “Big Homie” rests as one of my favorite visuals to-date in 2020. It’s most certainly evident that Jiles has been steadily improving his craft, and it’s a blessing to be able to see his progression in real time. Be on the lookout for more Van Buren Records releases each and every Tuesday, as #VBTuesdays are only just beginning.
Watch the official video for both “Freestyle 001” and “Big Homie” below:
The Brockton group continues to dominate the Massachusetts music scene, and their latest release undoubtedly amplifies the year of success that they’ve been having. The brotherhood has managed to have an already explosive 2019 — from the release of Luke Bar$ and Jiles’ 2 Sides to Lord Felix’s Ultraviolet to Meech’s ‘NineFour, they continue to move with unrelenting force.
Van Buren’s “Live @ the Oberon” is their debut video as a collective, and following its release this past week it’s safe to say that it’s one for the books. The track was produced by Ricky Felix and Kiron, and features an all star Van Buren line up of: Meech, Luke Bar$, Lord Felix, Saint Lyor, and Jiles. The cypher is reminiscent of Odd Future’s Oldie or even A$AP Mob’s Yamborghini High — in that it shows precisely how every member is capable of holding more than their own. While visually opting for a minimal and dimly lit hallway as the backdrop, the strategic choice allows their bars to take center stage.
Although the show at Oberon has been cancelled for the time being, be on the lookout for the next Van Buren performance as it’ll surely be an event that you won’t want to miss.
Watch the official music video for “Live @ The Oberon” below:
Anyone who’s been keeping up with the current climate of Massachusetts’ music scene will undoubtedly be aware of the mark that Van Buren Records has been leaving in 2019. Luke Bar$ and Jiles kicked things off with the release of their collaboration project, 2 Sides, and soon after they were followed up by Lord Felix with the release of In Bloom, Forever. The both of these projects have assisted in cementing Brockton as one of the Bay State’s musical powerhouses, and today, MEECH dropped his second album, ‘NineFour, which only reinforces this statement.
Sitting at a comfortable 6 tracks, ‘NineFour is a solid composition that intertwines vulnerable life experience and futuristic aspirations. Anyone who has kept up with our site throughout the last few years will assuredly recognize MEECH by name, as he’s steadily risen up the food-chain within Brockton’s long list of amazing artists. He possesses an innate ability to flow meticulously whilst keeping his lyrical content up to an extremely high par. Each track off of ‘NineFour contains a vastly different feeling, but much like life itself, flows into the next chapter with true fluidity. In a statement released by MEECH prior to the album’s release he stated:
I HIGHLY urge you to listen to the lyrics, concepts. Smoke one to it, drink to it, meditate to it, work out to it, etc.
Topics such as falling to the Demise of your own and other people’s actions, feelings of being financially/spiritually/mentally Rich & Broke. Struggle with Trusting people wholeheartedly, stress of going to outside festivities and evil aspects that’s currently infested into our world. To elevating mentally, spiritually & physically with a possible life partner. Every feature was written with so much vulnerability, and authentic ass perspectives. It’s the closest you’ll get to truly know who we are as PEOPLE and what we think and go through. If you don’t personally know us, we gave you a piece of who we are.
Stay Woke, Stay Blessed, and Stay Inspired.
MEECH via Instagram
The only features on this project are Van Buren’s Jiles, Lord Felix, and Luke Bar$, with each putting their best foot forward to assist MEECH in achieving new heights. “No House Parties (Stay Inside)” served as the first single to be released off of ‘NineFour, and throughout my first few listens to the project it remains formidable as my favorite component of this release. “We VB” which features Lord Felix, is yet another standout, as this track thoroughly encapsulates the energy persistent within Van Buren Records. This collective of highly capable artists is centered around hometown pride and the truthful bond that persists between each member. They only grow stronger as each builds upon their individual discographies, and as they continue to develop alongside one another there’s no telling where the end of their achievements will lay. We’ve already been blessed with a high volume of potent music in 2019, however it’s Van Buren Records that has been paving the way for the rest of Massachusetts.
Stream MEECH’s latest project, ‘NineFour, below:
Production by AG, B. Stanley, Godzart, AeBeats, E’ZZ, Emani Beats, & Dartizt
It’s been quite the 2019 so far for artists in Massachusetts, with individuals across the state working tirelessly to gain recognition for their talents. Leading the pack by example has been the city of Brockton. Just a couple of weeks ago, Luke Bar$ and Jiles dropped arguably the most potent project that the state has seen in the last few years. Quickly following in their footsteps is Lord Felix, who’s debut album In Bloom, Forever, is a sonic adventure that puts Brockton art on a pedestal.
The content of this project circulates around the various events that have occurred throughout Felix’s life that have molded him into the individual he currently is. Whether it be tumultuous relationships, the pursuit of his goals, or the things he witnessed throughout his adolescence, one parallel exists — Felix is going to continue to thrive in any situation he’s placed in. No matter the scenario, Lord Felix has an innate ability to find the silver lining, which has ultimately assisted him in becoming an extremely formidable person.
Recruiting some of his closest Brockton collaborators to help perfect the album (Jiles, MEECH, Clyde Black, Luke Bar$, Ricky Felix, and more), Lord Felix excelled at ensuring that each element of this release was meaningful. Each artist featured had some of their best performances on this project, only helping to reinforce the level of talent prevalent within this area.
“Love Is Fleeting, I Promise” serves as the introduction to In Bloom, Forever, and was certainly a favorite amongst the Graduation Music staff. Full of light-hearted, peaceful guitar rifts and a wondrous vocal performance, it’s here where new listeners can grow accustomed to the vibrant “aura” that Lord Felix possesses:
“You know that the aura so infectious // I make sure that you cannot forget me”
Lord Felix – “Love Is Fleeting, I Promise”
One of the most notable aspects of In Bloom, Forever is the seemingly “random” placement of emotion within the track-list. For example “Blue Valentine” is a short offering that serves as almost a vent session for Lord Felix. The single-verse interlude is layered with Felix’s true feelings about the unclear relationship he has with someone, and just as he’s about to let go of the truth, the track swiftly cuts into “Off Fifth”, a braggadocios song where Lord Felix, Notebook P, and Clyde Black talk their shit. After this, “The Worst Summer Ever” begins which is based around the hardships that Lord Felix endured throughout a specific summer. Bouncing back and fourth between seriousness and light-heartedness, Lord Felix’s In Bloom, Forever serves as a microcosm for the impermanence of life. Tomorrow is going to be vastly different than today, and it’s all about embracing this fact so that we can go into the future with our best foot forward.
Lord Felix has been one of the most hardworking artists in the state for years now, and he’s put everything he’s learned and experienced into In Bloom, Forever. Setting the bar absurdly high for artists in Massachusetts from here-on-out, get hip to Lord Felix now before he’s an international icon.
It may be Monday, but the New England Patriots are Super Bowl Champions and it’s somehow 60 degrees outside in February. Providing the soundtrack for this beautiful day are Luke Bar$ and Jiles, a pair of Brockton friends that recently dropped their 2 Sides EP. Centered around both the obstacles and adversity that this duo have faced throughout their childhood, this EP shines a light on how internal battles are sometimes externalized. Luke Bar$ and Jiles touch upon this below:
Growing as a man, you face a ton of obstacles and adversity. Some of which may put you in sunken place — mentally speaking. ‘2 Sides’ comes from a place where a kid is fighting internal battles, but portrays himself differently to his peers. Jiles becomes the yin to Luke’s yang — the two give two different sides to each story.
Luke Bar$ + Jiles on ‘2 Sides’
With each track flowing into the next seamlessly, listening through this project can definitely be categorized as a sonic journey. “No Fear” serves as the intro to 2 Sides, and it’s here where the yin/yang relationship persistent between Luke Bar$ and Jiles becomes apparent. Literally polar-opposites in terms of sound, both Luke and Jiles combine gracefully to concoct extremely thorough music.
“OK OK” is certainly one of the highlights of this tape. Full of meticulous flows that help facilitate a powerful delivery, this track really engrains itself into the listener’s mind. Luke maintains a hard-hitting feel here, packing this track with unforgettable lyricism:
“Spit a little rap till’ it pay off, till’ I ain’t got no day job // I don’t really want no pay stub, breakin’ down the check til the day gone…”
Luke Bar$ on “OK OK”
“Beat Ya Ass” is our personal favorite off of this project, with Luke Bar$ and Jiles threatening to beat someone’s ass in the most elegant manner possible. It’s here where the project takes a much more ambient turn. Both “Collard Greens” and “Sometimes” are extremely powerful offerings where Luke and Jiles paint vivid images of their personal-lives. The pair speak on what they’ve been forced to endure, their families, and the perspective of a kid growing up in Brockton. Easily the most potent release out of Massachusetts thus far in 2019, both Luke Bar$ and Jiles truly had an exceptional performance here.
Music that evokes a feeling in the listener is always the most engaging to listen to, and the finest opportunities to do just this within a song are through vocal cadences and production. Taking full advantage of both of these aspects, Graduation Music favorites Jiles and LoLoTheGod are here to bless us with a brand new single entitled “Later”, taking each of their respective talents and putting them in full force, one alongside the other.
Before we get into this one, however, I wanted to mention the fact that this is yet another collaborative offering from two Brockton artists. In my time covering Brockton’s music community, I have noticed an unrivaled level of collaboration, chemistry, and support coming from the city. Not only are the artists from the area talented and hardworking, but they also know how to boost one another up and join forces rather than compete for one spot. That being said, Jiles and LoLo put this on full display in “Later”, so let’s delve a bit further into it.
For starters, Jiles’ eccentric vocal style and melodic cadences on this one are what hold the listener and attach them to the track. Every bar is delivered in a way that catches the ear while propelling the song forward, and LoLo reinforces this with atmospheric, trunk-rattling production to match. Topping it all off and solidifying “Later” as a song that I will certainly be returning to in the near future, the lyricism on the offering is what sets Jiles aside from his peers. His brutally honest bars come across with a certain level of authenticity and connection to the listener, giving us all the more reason to run this one back, again and again, and in whole, reminding us why Brockton has next.