By: Seamus Fay
For many years, Boston rap was seen merely as a lower-quality little brother of larger nearby cities such as New York. Without the innovative talents or industry infrastructure to make a legitimate push out of this shadow, Boston soon fell behind, failing to become recognized as a hot spot for hip-hop talents. That is, until just recently.
Throughout the past 6 years or so, new artists, new styles, and new sounds have brought Boston back into the conversation that the city once dreamed of entering. With numerous local artists now making waves far beyond their hometown, the city is experiencing a hip-hop resurgence, full of refreshing talent and up-trending stocks on the heels of collaboration and local support. Boston is working tirelessly to push itself out of this “crabs in a bucket” mentality, all the while refusing to let the city’s history define the ceilings of future success.
With this in mind, today marks a noteworthy occasion in the history of Boston hip-hop, as Cousin Stizz just became the Boston Music Awards’ first ever hip-hop act to win the committee’s highest honor, “Artist of the Year.”
That said, it’s important to note just how prolific the continuous hope for local support outside of those directly involved with the hip-hop community has been throughout this recent hip-hop resurgence. To see Dorchester’s own bring home cement proof of recognition from a city notorious for its relatively poor history in the hip-hop genre is nothing less than monumental, and deservedly so. If not anything else, this moment should act as a reminder that the only limitations for the success of Boston hip-hop are those that the community imposes on itself.
From narrating Celtics commercials to soundtracking Tom Brady’s Instagram videos and winning the most esteemed BMA, Stizz sees far beyond what’s in the way of his success and chooses to focus on the wins that lie past his obstacles. Let this be a lesson for us all.
Thanks, Stizz. And congratulations on a hard-earned win.