An Interview With YOUNGFACE

By: Seamus Fay

YOUNGFACE is an artist best defined by his wide palette of sonic abilities. Whether orchestrating energy by way of hard-nosed deliveries and trunk-rattling production or looking toward a more cathartic direction with a heart-led, acoustic offering, the Massachusetts representative can do it all.

But these talents range far beyond just the diversity showcased in his musical catalog. Whether it be through visuals or in live performance, YOUNGFACE is paving his own lane, one fan at a time, all without compromising the quality or authenticity of his output. He’s charismatic and light-hearted in demeanor yet obsessive when working on his craft, and as a result, this budding act is on his way toward notoriety far beyond his home state of Massachusetts.

He exemplifies versatility in a way that few artists are able to achieve, and by working tirelessly toward his goals and constantly challenging his creative ambitions, it should come as no surprise that 2018 has a been quite the prosperous year for YOUNGFACE.

In order to better understand such a captivating talent, we here at Graduation Music spoke to YOUNGFACE about his upbringing, creative process, ideal first date, and much, much more. Read the full conversation below.


To start off, where are you originally from? What was your childhood like and how did music play a part in your life growing up?

I’m from Woburn, MA. It’s a small city outside Boston. I had a solid childhood. When I was younger, I lived pretty comfortably. My mom and dad were together for a good part of my childhood and had jobs, so we could go out to restaurants, go to the movies, and things like that. It wasn’t until later on when I was 12 or so that things got iffy and I was feeling the effects of being a lil broke boi.

My mom had a car accident when I was 9 and got a TBI (traumatic brain injury), and the next 4 years were just one thing after another. She got diagnosed with breast cancer, lost her mom, got separated for my dad, and some other shit. She handled it so well though — I’ve learned a ton from her. She managed her money well so we never went homeless or anything, but we definitely started budgeting hard and got on food stamps and all that.

When that shit was going down, I had to find hobbies that didn’t require much cause my mom had a ton on her plate. So, I skated a lot and learned to play the guitar. I used to write a bunch of songs that were just rearranged chords from Green Day songs because that was all I knew how to play. When I got older, I started riding BMX and I’d always be listening to music through earbuds. Dubstep was the wave around that time and the BMX kids were always posting new songs on FaceBook, so I started to fuck with it heavy. It was super high energy, and as someone who initially liked older punk stuff, I got drawn in. Soon, I started messing around on FL studio and that was when I started producing. I got chubby as hell because every day I’d get Dunks, come home, and sit on Fruity Loops for like, 5 hours making super ass EDM stuff. It paid off, though, because now I’m nice with the mixing.

You also used to be in a band, right? What’s the story there?

Yeah, I had always wanted to be in a band since I was a kid. In 3rd grade, I’d always try and get my friends to learn instruments so we could get that shit going but it’s hard to get people on your wave. Once I got to college, I tried to start something up with some musicians around here, and I got a lil band going.

We did a few shows, but in doing so, I realized that I don’t really work well with others. I like my art to be a certain way and I don’t really budge on it too often, lol. I take shit way seriously, too. I mean, I’m always having fun when I’m making music, but when someone starts to impede on my shit, I definitely get annoyed. That’s why I barely collaborate with anyone. Not cause I don’t like their music or whatever, I just need everything to be legit.

One aspect of your music that has especially stuck out to me has been its ability to evoke very strong emotion. What is your creative process like when writing songs?

My creative process is all over the place. I don’t really have a set way of working on stuff. Sometimes a dope record will come together in 20 minutes, and sometimes I hold songs for a year before I can get it right; it depends on how I’m feeling.

This year I was in a super low point in my life and I became very detached from everything, so I started to hate myself for a while — definitely the wrong move. I ended up losing a ton of weight and I didn’t really sleep at all. But, I was able to write, especially at like 3AM when the world is completely silent — going on walks at that time can put you into a weird state of mind where you observe everything more and think more. I don’t know if it’s the sleep deprivation or the silence, but it gets you thinking differently. When you go back to write, you have a bunch to work off of.

Do you make a conscious effort to expand your versatility and make songs out of your comfort zone? Or does the heavy variance in your catalog come naturally based on whatever you’re feeling?

It’s definitely based on what I’m feeling. Everyone who tries to help guide me in the music world is like, “ok try to focus in on your sound,” which is definitely good advice, but I can’t. I’ve never been able to. I’m just not a focused person. If something is dope and I want to put it out, it’s probably going out. I love making turn up music, but if I have bars to throw around, I’m going to do it. There are definitely records that made me tap into darker parts that mean a lot to me, though.

Where do you want to be in five years?

In my bag.

As an artist, do you think about the future ahead often? Or are you more of a “one day at a time” kind of person?

Definitely a future person, but I’m trying to change that. It causes way too much anxiety and depression for me. My head is almost always elsewhere, dwelling on the past or thinking too much about the future. Nowadays, I’ve been better. But from a creative standpoint, I want to put out so many projects and I’m always scheming and plotting. I have a ton of records that I don’t know when will see the light of day or what the best way to release them will be, but Imma figure it out. It’s good to have a plan, but sometimes, like with “Jump In The Beam”, I just decide to put it out.

What has been your proudest moment as an artist so far? 

My proudest moments are probably anytime someone shares what I’m doing. I’ve been making music in some way or another for my whole life practically, and this is the first time anything is kind of coming from it. I’ve never had labels reach out to me before, I’ve never had articles written about me, or anything even similar to that. To see people I’ve never met, as well as all my friends, sharing my stuff is the fucking craziest feeling. It’s so rewarding. I’m grateful, for real. It’s nuts to think I even have one fan.

What is one thing about YOUNGFACE that all fans, both new and old, need to know?

I could live off of burritos my whole life and I don’t think I’d ever get sick of them.

What does your dream first date look like?

Not sure, really. The last first date I went on, I took a girl to get burritos then went to the beach. It was pretty late, and maybe an hour in, this older couple was aggressively making out with their feet in the water in the distance. This really set the mood for me to kiss the girl. Then, when I looked back, the older man was getting some ignorant slop. I didn’t have the same luck. Sometimes old people have all the fun.

Lastly, what can fans expect from YOUNGFACE in the near future?

They can expect me to be rich and cute forever.


Follow YOUNGFACE on:

SoundCloud

Twitter

Instagram

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